Both of these articles are interesting reads, and they address what I see as the central theme of Mumford and Sons’ music: their incredible ability to introduce Christian and religious symbols to a large audience, imparting grace and hope to their listeners. Two recent articles on the band illustrate the variety of opinions that have been voiced about Babel and the obvious religious symbolism in the group’s music: the first, “Mumford & Sons Preaches to Masses”, from NPR’s Ann Powers (which DZ mentioned on Friday), speaks to the band’s power to bring religious ideas to the public and the second, “Mumford & Sons and the Death of Church Music”, comes from The American Conservative’s Jordan Bloom, in a direct reply to Powers’ article, where he connects the vapid sentimentality he sees in contemporary worship music to Mumford and their music. Depending on who you ask, the band’s music is heartfelt and refreshing, beautifully expressing the human desire for love and grace or maudlin and mediocre, only created to prey on the sentimentality of the general population. Everyone’s favorite British folk band, Mumford and Sons, and their latest album, Babel, have been a hot news item since the album was released a couple of weeks ago.
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